By the late ‘70s disco had, in fact, become overly formulaic and cheesy, but in the early days the sounds were lush and rich, the “four on the floor” 120 bpm tempo was infectious and irresistible. Not really about the music, but who the music represented: Black, Hispanic, Latinx and LGBTQ+ people and women – basically everybody except the bros holding onto classic rock for dear life. Music fans and historians have had a collective realization over the last couple of decades that the anti-disco sentiment was all spin.
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